Aerial At The Gate
from The Rococo B-Sides (EP) by Emily Bezar
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about
This electronic instrumental was to be the 2nd movement of the 3-part suite "Grit to the Wire” (see liner notes for “Circus Ponies Live”). This mix, done one sunny afternoon in the late 1990's on my old Macintosh G3 computer in Oakland, was a rough draft, but I haven't tried to re-do it since, as it has a languorous magic that I didn't think I could recapture. And for those of you who know digital-audio mixing….this was done on-the-fly with no automation…just my skittish little mouse dancing those faders around my small monitor. So, in effect this is a “live” performance! And yes, those are the gates of heaven I'm talking about. This one almost made it onto “Angels' Abacus”….certainly the theme was intact! But I just couldn't in the end divorce it from its suite-mates. So here it is with one of them, “Circus Ponies.”
credits
from The Rococo B-Sides (EP),
released May 18, 2005
Written, played, recorded and mixed by Emily Bezar
With guitar samples by Michael Ross
Copyright 1997, Blue Countess Music, BMI
Mastered by Ken Lee
Written, played, recorded and mixed by Emily Bezar
With guitar samples by Michael Ross
Copyright 1997, Blue Countess Music, BMI
Mastered by Ken Lee
license
all rights reserved
tags
about
Emily Bezar
Singer, composer and keyboardist
Emily Bezar creates intricate, uncategorizable music, drawing freely from classical, jazz, rock, pop and electronic genres to create an enchanting, dynamic sound world.
discography
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Jan 2019 -
Dec 2019 -
Nov 2011 -
Jul 2008 -
May 2005 -
Sep 2004 -
Oct 1999 -
Oct 1996 -
Sep 1993
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supported by 6 fans who also own “Aerial At The Gate”
The new live EP by Ryan W. Stevenson's project reminded me, that this debut album must have been gone down the wishlist... If instrumental Canterbury stuff is your thing, this should be a no-brainer. Firmly rooted in the past (late 60s, 70s), nevertheless with a fresh sound. Guests incude The Tangent's Andy Tillison and Soft Machine's Theo Travis.
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Joyous and exploratory. It's what makes Sanguine Hum tick. Or hum. Quite.
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Ah, why didn't I buy this earlier? Has been on my wishlist since it's release and Bad Elephant Music's sampler and ongoing sales campaign luckily triggered the buy. Tags given are post-progressive and post-rock, but the music feels much lighter than I usually associate with those tags. Quite song-oriented, indeed. Great music, great vocals.
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supported by 4 fans who also own “Aerial At The Gate”
got recc'd this on youtube and loved it- reminds me a lot of late 60's and early 70's records i used to hear playing out of my parents' stereo on sweltering summer days.
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