The Longest Way
from Out of the Moment by Emily Bezar
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lyrics
light falls on the rolling field
fragrant nights and stolen days
yeah I know
in the circle of one lifetime
the radius changes
we are in we are up and down
and round again
and should fate leave us here again
in this broad land
free to breathe, unweighed
I will know by the way you take the evening
and wrap it around me
I will know you by the way
you put my soul on display
take the longest way around the mountain
there’s no shame in passing up the climb
we’ll roll love out into the gentle valley
rest at the edge of time
my silence is like mortar now
a foundation
for some eternal building
if I take you everywhere I go from here
there will be no lines or points
for our path to betray
take the longest way…
all this stays
life is a show of come and go again
and I love the ways I will remember this
remember this, remember this
when I’m all the way around the mountain
and I’m all the way around
the longest way
take the longest way…
fragrant nights and stolen days
yeah I know
in the circle of one lifetime
the radius changes
we are in we are up and down
and round again
and should fate leave us here again
in this broad land
free to breathe, unweighed
I will know by the way you take the evening
and wrap it around me
I will know you by the way
you put my soul on display
take the longest way around the mountain
there’s no shame in passing up the climb
we’ll roll love out into the gentle valley
rest at the edge of time
my silence is like mortar now
a foundation
for some eternal building
if I take you everywhere I go from here
there will be no lines or points
for our path to betray
take the longest way…
all this stays
life is a show of come and go again
and I love the ways I will remember this
remember this, remember this
when I’m all the way around the mountain
and I’m all the way around
the longest way
take the longest way…
credits
from Out of the Moment,
released January 16, 2019
license
all rights reserved
tags
about
Emily Bezar
Singer, composer and keyboardist
Emily Bezar creates intricate, uncategorizable music, drawing freely from classical, jazz, rock, pop and electronic genres to create an enchanting, dynamic sound world.
discography
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Jan 2019 -
Dec 2019 -
Nov 2011 -
Jul 2008 -
May 2005 -
Sep 2004 -
Oct 1999 -
Oct 1996 -
Sep 1993
contact / help
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The new live EP by Ryan W. Stevenson's project reminded me, that this debut album must have been gone down the wishlist... If instrumental Canterbury stuff is your thing, this should be a no-brainer. Firmly rooted in the past (late 60s, 70s), nevertheless with a fresh sound. Guests incude The Tangent's Andy Tillison and Soft Machine's Theo Travis.
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In 2019, I was in Salisbury and attended the Alphabet Business Convention without knowing any artist. Lost Crowns was my favourite band that played there.
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got recc'd this on youtube and loved it- reminds me a lot of late 60's and early 70's records i used to hear playing out of my parents' stereo on sweltering summer days.
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More or less I should text a praise quite similar to that for 'The Divine Abstract’. Well, here no multi-ethno insruments are listed; with exception of bodhran. But this album is as colorful as its precursor and i.m.o. reveals even more shrewdly balanced complexities, which again lead to feel peacefully perplexed or exited or (please don't laugh) "healed"; while & after listening. Fans of e.g. Oregon, M. Oldfield, yMusic or Bang on a Can's melodic works should check Charlie Cawoods marvels.
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