Frontier
from Out of the Moment by Emily Bezar
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lyrics
under the last blue slice
of a purple evening
they climb the trail again
they wander
they take the long way
as a host of stars
begins to light the sky
no end in sight
no end in sight, nowhere
two seagulls soar
in the warm night air
he walks her home
along the fault line
she says, “look, we can see
the whole world from here
it’s more than me
it’s more than you
kiss me like the first time
wrap me in your long twine
and cast me to your heart’s frontier”
horizons
there will be new horizons
but tonight
the islands off this coastline
are blinking synchronized
“tell me,” he says,
“will you wait for me?
on the beach near the cove
where you first held me with your eyes”
though they may lose
these soft, long days
remember love
warm and true
always
he walks her home along the fault line….
of a purple evening
they climb the trail again
they wander
they take the long way
as a host of stars
begins to light the sky
no end in sight
no end in sight, nowhere
two seagulls soar
in the warm night air
he walks her home
along the fault line
she says, “look, we can see
the whole world from here
it’s more than me
it’s more than you
kiss me like the first time
wrap me in your long twine
and cast me to your heart’s frontier”
horizons
there will be new horizons
but tonight
the islands off this coastline
are blinking synchronized
“tell me,” he says,
“will you wait for me?
on the beach near the cove
where you first held me with your eyes”
though they may lose
these soft, long days
remember love
warm and true
always
he walks her home along the fault line….
credits
from Out of the Moment,
released January 16, 2019
license
all rights reserved
tags
about
Emily Bezar
Singer, composer and keyboardist
Emily Bezar creates intricate, uncategorizable music, drawing freely from classical, jazz, rock, pop and electronic genres to create an enchanting, dynamic sound world.
discography
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Jan 2019 -
Dec 2019 -
Nov 2011 -
Jul 2008 -
May 2005 -
Sep 2004 -
Oct 1999 -
Oct 1996 -
Sep 1993
contact / help
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supported by 13 fans who also own “Frontier”
The new live EP by Ryan W. Stevenson's project reminded me, that this debut album must have been gone down the wishlist... If instrumental Canterbury stuff is your thing, this should be a no-brainer. Firmly rooted in the past (late 60s, 70s), nevertheless with a fresh sound. Guests incude The Tangent's Andy Tillison and Soft Machine's Theo Travis.
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Every Night Something Happens
by Lost Crownssupported by 12 fans who also own “Frontier”
In 2019, I was in Salisbury and attended the Alphabet Business Convention without knowing any artist. Lost Crowns was my favourite band that played there.
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supported by 11 fans who also own “Frontier”
got recc'd this on youtube and loved it- reminds me a lot of late 60's and early 70's records i used to hear playing out of my parents' stereo on sweltering summer days.
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The London-based group trio combines jazz, funk, soul, and progressive rock on their latest project.
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A mesmerizing fusion of traditional Turkish melodies and contemporary sounds, creating a captivating musical journey.
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by Milton Man Gogh“Prog-jazz” group Milton Man Gogh’s latest pairs their skewed take on the form with a darkly comic graphic novel.
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Blurring Into Motion
by Charlie Cawoodsupported by 11 fans who also own “Frontier”
More or less I should text a praise quite similar to that for 'The Divine Abstract’. Well, here no multi-ethno insruments are listed; with exception of bodhran. But this album is as colorful as its precursor and i.m.o. reveals even more shrewdly balanced complexities, which again lead to feel peacefully perplexed or exited or (please don't laugh) "healed"; while & after listening. Fans of e.g. Oregon, M. Oldfield, yMusic or Bang on a Can's melodic works should check Charlie Cawoods marvels.
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